For a long time I have wanted to create a space to put up poems that are significant to me, many of which have been written by unknown writers or which lie outside the canonized bodies of work of more famous writers. Many of the poems I am drawn to are wildly discursive, and that usually means long, but I have also been meaning to prod myself to develop a larger mental data base of poems, and shorter poems seem more ammenable to memorization by heart.

So this will be a sort of mish-mash: memory poems, forgotten poems, never even remembered poems, unanthologized poems

Saturday, June 6, 2009

Report: that I have been making progress when it comes to memorization: "Richard Cory" by Robinson, "Pied Beauty" by Hopkins, "Casabianca" by Bishop, "When I Consider How My Light Was Spent" by Hopkins, "The Voice" by Hardy, "Three Moves" by John Logan, "Of Mere Being" by Stevens, "Death of the Ball Turret Gunner." Most of these have rhyme to help me along, except for "Of Mere Being," which was difficult, because it lacked this mnemonic device.

Recently I discovered James Schuyler, one of the New York poets who also qualifies as a nature poet, who puts nature off kilter enough to rouse the skeptical. This poem is one that's been an the back of my mind; now to bring it into the fore.


Salute

Past is past, and if one
remembers what one meant
to do and never did, is
not to have thought to do
enough? Like that gather-
ing of one each I
planned, to gather one
of each kind of clover,
daisy, paintbrush that
grew in that field
the cabin stood in and
study them one afternoon
before they wilted. Past
is past. I salute
that various field.